Why Are Lead Vocals Sometimes Pushed Back In The Mix?

Where should lead vocals sit in a mix?

Tip #1 – Here’s a top notch trick to get your vocals to sit on top of the mix nicely. Send everything but the vocals to their own aux, and apply a very subtle compressor (only a few dB’s reduction). Side chain the lead vocals to this compressor. This will dip the track by a 2 or 3 dB’s every time the vocals come in.

Should you stack lead vocals in a mix?

Use vocal stacking as an opportunity to support your lead vocal track – pushing it further toward the front of your mix. To reinforce your lead vocal, track doubles of the same part. Recording harmonies and background vocals that vary from the lead will add complexity to your mix without taking away from the lead.

How do you mix lead vocals?

12 Essential Steps to Mixing Lead Vocals

  1. Step 1: Comping and editing.
  2. The first step to mixing vocals isn’t mixing at all — it’s editing.
  3. Step 2: Tuning.
  4. Sometimes, there will be pitch and tuning imperfections in a vocal performance.
  5. Step 3: Gain Staging.
  6. Vocals tend to be some of the most dynamic instruments in a mix.
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Should lead vocals be panned?

The best way to give your mix a solid core is to keep lower frequency sounds in the center. That means kicks, basses and anything else below the 120hz range. If your track has lead vocals pan them center as well. But as a general rule lead vocals should always be panned center.

How loud should my vocals be in a mix?

Every vocal is different and every song is different as well. But generally speaking, lead vocal should be moderately loud or the loudest element next to your drums in your mix.

What frequency do vocals sit?

Male vocals will tend to have their fundamental frequencies between 100–300 Hz, while the fundamental frequencies of a female vocal will usually fall between 200–400 Hz.

How do you EQ vocals like a pro?

Best EQ Settings for Vocals

  1. Roll off the low-end starting around 90 Hz.
  2. Reduce the mud around 250 Hz.
  3. Add a high shelf around 9 kHz & a high roll off around 18 kHz.
  4. Add a presence boost around 5 kHz.
  5. Boost the core around 1 kHz to 2 kHz.
  6. Reduce sibilance around 5 kHz to 8 kHz.

What effects to add to vocals?

The options available for vocal effects are broad. They include reverb, delay, choir, distortion, compression, gain automation, de-essing, EQ, pitch shift, and echo.

How can I thicken my vocals?

Use temporal, tuning, and low level compressing effects to create a vocal that sounds thick, and dense enough to cut through your mix. The idea is to create multiple reflections and voices, that can be combined with and augment the original signal.

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Should vocals be in mono or stereo?

Use the stereo field. The lead vocal should be in mono and central in the mix but the BVs can have as much width as you like. Keep it balanced, pan as many left as you do right.

How do you compress lead vocals?

This is how to compress vocals using a lighter, more musical approach:

  1. First of all, load up a compressor.
  2. Next, lower the threshold and raise the ratio to extreme settings.
  3. Start with a medium attack time around 15ms and adjust to taste.
  4. Dial in a medium release time of 40ms and adjust from there.

Should you double track lead vocals?

Your vocal double should follow the same rhythm and melody but doesn’t need to be perfectly in sync with the lead. You want there to be a very slight uniqueness to how the vocal double is synched with the lead. This is what helps thicken and fill out the overall sound of the lead vocal track.

Should you double lead vocals?

Human voices are limited and can easily get overthrown in a mix. With so much else going on in the mix (panned instruments, effects, etc.), doubling vocals allows the voice to stand out in a unique way, and can add greater depth to your mix.

Should you stereo separate vocals?

Whether your vocals should be in stereo or mono depends on the amount of singers that you record, and on how you want them to sound. As written above, if you want them to sound large, wide, and soft, they should be stereo. But, if you want them to sound powerful, clear, and upfront, they should be mono.

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