Readers ask: What Frequencies Do You Cut Vocals?

What frequency should I cut vocals?

Starting Settings: Try starting around 8 kHz for the high shelf and only boost 1 dB to 1.5 dB. For the high roll off, around 18 kHz is a good main frequency at 24 dB of reduction per octave with a 0.70 Q width. The goal is to stop all piercing frequencies that may slip through and to make room for cymbals in the mix.

What EQ frequency is vocals?

Male vocals will tend to have their fundamental frequencies between 100–300 Hz, while the fundamental frequencies of a female vocal will usually fall between 200–400 Hz.

Which frequencies are high for cutting?

Fix 1: If you can hear too much top (and Tonal Balance Control confirms it) try a cut around 3–8 kHz. Alternatively, a slight low-end boost will produce the psychoacoustic effect of dulling high frequencies, even if they haven’t been attenuated.

Is a condenser mic better for vocals?

Condenser microphones are best used to capture vocals and high frequencies. They are also the preferred type of microphone for most studio applications. Because of the thin diaphragm and increased sensitivity, condenser mics are often used to pick up delicate sounds. They also need a power source.

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How loud should my vocals be in a mix?

Every vocal is different and every song is different as well. But generally speaking, lead vocal should be moderately loud or the loudest element next to your drums in your mix.

What Hz is a deep voice?

100-130 is average. 100 and lower is usually considered deep for a man, and 85-90 and lower is really, really, deep. As an adult you can expect to have a deeper end voice.

Should I mix vocals in mono or stereo?

If you record one vocalist, your vocals should be mono. However, if you record two vocalists or more or if you record in a room with unique acoustics, the vocals should be stereo. Moreover, recording vocals in mono makes them sound powerful, clear, and upfront.

How do I make my vocals sound professional?

10 Ways to Make Vocals Sound Modern & Professional

  1. Top-End Boost.
  2. Use a De’Esser.
  3. Remove Resonances.
  4. Control the Dynamics with Automation.
  5. Catch the Peaks with a Limiter.
  6. Use Multiband Compression.
  7. Enhance the Highs with Saturation.
  8. Use Delays Instead of Reverb.

Should I cut below 20 Hz?

One of the main reasons people, cut freqs that low is that it’s possible in some cases to have infrasonics that are affecting how loud you make your track. Liek you say, in most cases they are inaudible, so people will cut them to be able to boost their overall loudness more.

Can you use a condenser mic for live vocals?

Condenser Microphone Condenser microphones are most often found in recording studios. However, many condenser mics are now being used in live sound environments. The condenser microphone is a very simple mechanical system, simply a thin, stretched conductive diaphragm held close to a metal disk called the back plate.

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What microphone makes you sound better?

Dynamic microphones are also a good choice for recording your voice, and they tend to sound better on louder sound sources. If you naturally speak loudly or get excited when you talk, a dynamic microphone might suit you better than a condenser, which could potentially start to clip if the recording gets too loud.

Which type of mic is best for vocals?

The Best Mics for Vocals

  • There’s lots of options.
  • Dynamic mics are better for more aggressive singers or genres like rock and metal.
  • Condenser mics are better for more controlled genres, like alternative and pop.
  • Ribbon mics are better for very “vibey” genres, like folk, jazz, or blues.

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