Quick Answer: Should You Compress Vocals When Recording?

Should I use compression when recording vocals?

So perhaps the best advice is to conservatively apply the best of both worlds: use a little compression while recording — just enough to help limit the most unruly peaks and phrases and to even out the recorded signal — and then add more compression to taste during mixing.

When should you compress vocals?

Your main aim with the backing vocals is to make them surround and complement the lead vocal. To make them sit further back in the mix, try applying fast compression with an attack time of 1ms or less. This will squash the transients, so the backing vocals won’t sound as aggressive.

How much compression should I use on vocals?

A good starting point for a rock vocal would be a 4:1 ratio with a medium-fast attack and a medium release. Then, set the threshold for around 4 to 6dB of gain reduction. Increase or decrease the attack time until you get the right level of forwardness for the mix.

Which comes first compression or EQ?

Each position, EQ pre (before) or EQ post (after) compression produces a distinctly different sound, a different tonal quality, and coloration. As a rule, using EQ in front of your compressor produces a warmer, rounder tone, while using EQ after your compressor produces a cleaner, clearer sound.

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Should I record vocals without effects?

Vocals should always be recorded dry. Meaning that there are no time based effects such as reverb and delay on the track when you record.

How loud should vocals be in a mix?

Every vocal is different and every song is different as well. But generally speaking, lead vocal should be moderately loud or the loudest element next to your drums in your mix.

Do rappers double their vocals?

Rappers and singers have traditionally recorded vocal doubles (informally called “vocal dubs”) on the ending phrases every bar or half a bar..

How can I make my voice sound thicker?

Once you apply these ten techniques, your mixes as a whole will improve.

  1. Top-End Boost.
  2. Use a De’Esser.
  3. Remove Resonances.
  4. Control the Dynamics with Automation.
  5. Catch the Peaks with a Limiter.
  6. Use Multiband Compression.
  7. Enhance the Highs with Saturation.
  8. Use Delays Instead of Reverb.

What level should I record vocals?

You should record vocals at an average of -18dB for 24-bit resolution. The loudest parts of the recording should peak at -10dB and be lowest at -24dB. This is to keep an even balance on the level of the vocals without distortion.

What is a good reverb setting for vocals?

Move the pre-delay to about 30-40% or so as a starting point and see how it sounds. With your EQ, maybe set the high-pass around 200Hz and the low-pass at about 12kHz. In a situation like this, you may want to have more body in the reverb.

What does too much compression sound like?

When you compress too hard with fast attack times, the dynamic range of your mix is squashed. You’ll end up with something that sounds like this: A song with no room to breathe; as flat as a pancake.

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What happens when you over-compressed vocals?

This means the very distinctives of the voice are brought closer to everything else. It also means when a vocal line is over-compressed, you lose the clarity and individuality of the vocal.

What is the best compressor for vocals?

The Best Vocal Compressors for Studio-Quality Audio

  • Avalon. VT-737SP. A go-to for professional pop, R&B, & rap studio recordings.
  • Warm Audio. WA76. This limiting amplifier is designed to affordably emulate the classic UA 1176, which is nearly impossible to find these days.
  • FMR Audio. Really Nice Compressor.

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