- 1 How compressed should vocals be?
- 2 How do you compress harsh vocals?
- 3 Do you EQ or compress vocals first?
- 4 Should you always use compression on vocals?
- 5 Should you compress live vocals?
- 6 Why do my vocals sound fuzzy?
- 7 How do you equalize vocals?
- 8 How do you fix distorted vocals?
- 9 Should I compress every track?
- 10 How much compression do you need for pop vocals?
- 11 What should you compress in a mix?
- 12 What goes first EQ or crossover?
- 13 Should I compress before reverb?
- 14 What order should plugins be in?
How compressed should vocals be?
A good starting point for a rock vocal would be a 4:1 ratio with a medium-fast attack and a medium release. Then, set the threshold for around 4 to 6dB of gain reduction. Increase or decrease the attack time until you get the right level of forwardness for the mix.
How do you compress harsh vocals?
Use a Multi-Band Compressor to Squash Harsh Frequencies If you do not have a de-esser, or if you aren’t able to get the results you want from the de-esser, you may use a multi-band compressor to achieve similar results.
Do you EQ or compress vocals first?
Each position, EQ pre (before) or EQ post (after) compression produces a distinctly different sound, a different tonal quality, and coloration. As a rule, using EQ in front of your compressor produces a warmer, rounder tone, while using EQ after your compressor produces a cleaner, clearer sound.
Should you always use compression on vocals?
When used correctly, compression is a key ingredient for vocals that sound professional, modern and radio-ready. When used incorrectly, compression can quickly ruin a good vocal recording and make your music sound amateur and over-processed.
Should you compress live vocals?
Live sound is largely correcting problems with subtractive EQ. Sure, it’s fun to roll off some of the top-end on your hall reverb, but don’t let that distract you from the things that actually need attention. Compression should be used sparingly. The lead vocals should be the center of your attention.
Why do my vocals sound fuzzy?
Reasons for distortion A microphone or sound source, like a computer, is overloaded with sound. For example, the microphone can’t handle the volume level which it’s detecting and thus distorts the sound that it’s sending into the sound system. An instrument sends too hot of a signal into the system.
How do you equalize vocals?
Best EQ Settings for Vocals
- Roll off the low-end starting around 90 Hz.
- Reduce the mud around 250 Hz.
- Add a high shelf around 9 kHz & a high roll off around 18 kHz.
- Add a presence boost around 5 kHz.
- Boost the core around 1 kHz to 2 kHz.
- Reduce sibilance around 5 kHz to 8 kHz.
How do you fix distorted vocals?
- Open an audio file in the RX Audio Editor or send it using RX Connect.
- Select the distorted portions of the audio and open the De-clip module.
- Set the Threshold to identify where the De-clip algorithm should begin to apply processing.
- Click Preview to hear the results.
Should I compress every track?
It can be easy to get in the habit of throwing a compressor on every track because we assume we should. But not every sound needs to be compressed. If you want to highlight the aggressive parts of a sound’s transients or to tame its dynamics, compression makes sense.
How much compression do you need for pop vocals?
For most pop, rap, and rock-based genres you’re going to squash the vocals a lot more than you expect, especially due to the mixes being denser. So, for dynamic compression, start with a 5:1 ratio and explore going higher, even up to an 8:1 ratio, depending on the threshold.
What should you compress in a mix?
Learn how to use compression to tame transients, highlight transients, and create space in your mix. Compression is used to reduce the dynamic range of an audio signal. A compressor is like an automatic volume knob that turns down an audio signal’s level when it gets too loud.
What goes first EQ or crossover?
EQs and other devices should always be in Line before the actual Crossover. Most DSP Units offer Input EQ which is essiantially that.
Should I compress before reverb?
You should send the already processed signal to reverb. Sometimes it’s useful to process the reverb signal separately with EQing and even compression.
What order should plugins be in?
Generally, plug-ins that work better with an unprocessed signal should be first in the (top-to-bottom) chain in the Insert section of a DAW channel strip. Also plug-ins that may correct for a basic flaw in a recording should be up at the top of the order.