- 1 How many compressors do you need for vocals?
- 2 Should I use 2 compressors on vocals?
- 3 How many compressors should I use?
- 4 Do rappers double their vocals?
- 5 What is a good EQ setting for vocals?
- 6 Should you compress or EQ first?
- 7 What is the best compressor for vocals?
- 8 How loud should vocals be in a mix?
- 9 How do you limit vocals?
- 10 Should I mix into a compressor?
- 11 Is a limiter a compressor?
- 12 What is a slow attack on a compressor?
How many compressors do you need for vocals?
A good starting point for a rock vocal would be a 4:1 ratio with a medium-fast attack and a medium release. Then, set the threshold for around 4 to 6dB of gain reduction. Increase or decrease the attack time until you get the right level of forwardness for the mix.
Should I use 2 compressors on vocals?
There are actually a couple of ways to use multiple compressors when recording or mixing vocals. The idea is to use a faster compressor to control peaks and a slower compressor to more gently control the dynamics of the performance. Each will provide its own color, which gives you a wide palette of sonic possibilities.
How many compressors should I use?
Each compressor on your track should only be reducing the gain by 1-3 dB’s. So instead of using 1 compressor on the bass to turn it down 9dB, try using 3 compressors that are reducing 3 dB each. Though it’s technically the same amount of reduction, your bass is going to sound more dynamic and less compressed.
Do rappers double their vocals?
Rappers and singers have traditionally recorded vocal doubles (informally called “vocal dubs”) on the ending phrases every bar or half a bar..
What is a good EQ setting for vocals?
Best EQ Settings for Vocals
- Roll off the low-end starting around 90 Hz.
- Reduce the mud around 250 Hz.
- Add a high shelf around 9 kHz & a high roll off around 18 kHz.
- Add a presence boost around 5 kHz.
- Boost the core around 1 kHz to 2 kHz.
- Reduce sibilance around 5 kHz to 8 kHz.
Should you compress or EQ first?
Each position, EQ pre (before) or EQ post (after) compression produces a distinctly different sound, a different tonal quality, and coloration. As a rule, using EQ in front of your compressor produces a warmer, rounder tone, while using EQ after your compressor produces a cleaner, clearer sound.
What is the best compressor for vocals?
The Best Vocal Compressors for Studio-Quality Audio
- Avalon. VT-737SP. A go-to for professional pop, R&B, & rap studio recordings.
- Warm Audio. WA76. This limiting amplifier is designed to affordably emulate the classic UA 1176, which is nearly impossible to find these days.
- FMR Audio. Really Nice Compressor.
How loud should vocals be in a mix?
Every vocal is different and every song is different as well. But generally speaking, lead vocal should be moderately loud or the loudest element next to your drums in your mix.
How do you limit vocals?
This is how to compress vocals using a lighter, more musical approach:
- First of all, load up a compressor.
- Next, lower the threshold and raise the ratio to extreme settings.
- Start with a medium attack time around 15ms and adjust to taste.
- Dial in a medium release time of 40ms and adjust from there.
Should I mix into a compressor?
The compressor changes the dynamics and tone of the entire mix. Adding it at the END of your mix will change everything you’ve been working on. It doesn’t matter what compression settings you put on there. It’s going to mess with your mix.
Is a limiter a compressor?
A limiter (see WFTD archive “limiter“) is a device designed specifically to prevent audio levels from going higher than a specified point. In practice a limiter is basically a compressor with a very high compression ratio (20:1 to infiniti:1).
What is a slow attack on a compressor?
Slow Attack Speed (10 to 100 milliseconds) With a slow attack speed, the compressor lets a bit of the initial signal through before it kicks in, which can be used to emphasize the impact of a signal, making it sound bigger and more aggressive. However, slow attack speeds are not ideal for controlling dynamics.