- 1 What is vocal compression singing?
- 2 What is the purpose of compressing vocals?
- 3 How compressed should vocals be?
- 4 What does vocal compression feel like?
- 5 How do you do vocal compression?
- 6 What is a good reverb setting for vocals?
- 7 What is the best compressor for vocals?
- 8 Do I need a compressor for vocals?
- 9 Should I use parallel compression on vocals?
- 10 How loud should vocals be in a mix?
- 11 Should you compress or EQ first?
- 12 What is glottal in singing?
What is vocal compression singing?
It’s a combination of each airflow valve in your vocal mechanism working in tandem to create a powerful but resisted flow of air that vibrates your vocal folds and creates resonance. In fewer words, vocal compression is a controlled balance between airflow and air pressure when you sing.
What is the purpose of compressing vocals?
The obvious purpose of compressing vocals, or any other instrument, is to reduce the dynamic range of a particular track. With less distance (dynamic range) between the quiet and loud parts, the entire vocal can be brought up in level without clipping.
How compressed should vocals be?
A good starting point for a rock vocal would be a 4:1 ratio with a medium-fast attack and a medium release. Then, set the threshold for around 4 to 6dB of gain reduction. Increase or decrease the attack time until you get the right level of forwardness for the mix.
What does vocal compression feel like?
To put it simply, there’s a lot of air pressure there. It may sound like tension, or even a really pulled-up chest voice in some cases, but I think of it more as compression. The air is literally pressurized between the diaphragm and the vocal cords. This results in a more belty, brighter, and “ tighter” feel and tone.
How do you do vocal compression?
This is how to compress vocals using a lighter, more musical approach:
- First of all, load up a compressor.
- Next, lower the threshold and raise the ratio to extreme settings.
- Start with a medium attack time around 15ms and adjust to taste.
- Dial in a medium release time of 40ms and adjust from there.
What is a good reverb setting for vocals?
Move the pre-delay to about 30-40% or so as a starting point and see how it sounds. With your EQ, maybe set the high-pass around 200Hz and the low-pass at about 12kHz. In a situation like this, you may want to have more body in the reverb.
What is the best compressor for vocals?
The Best Vocal Compressors for Studio-Quality Audio
- Avalon. VT-737SP. A go-to for professional pop, R&B, & rap studio recordings.
- Warm Audio. WA76. This limiting amplifier is designed to affordably emulate the classic UA 1176, which is nearly impossible to find these days.
- FMR Audio. Really Nice Compressor.
Do I need a compressor for vocals?
Even a normal speaking voice has an approximate dynamic range of over 70 decibels. For your vocal tracks to hold their space in your mix, you will likely need to compress them — and hopefully compress them without sacrificing nuance and expressiveness.
Should I use parallel compression on vocals?
Using parallel compression can be an effective way to give your vocals a professional edge but it’s a difficult technique to master. Use gates, EQ and de essers to remove content you don’t want to be harshly compressed.
How loud should vocals be in a mix?
Every vocal is different and every song is different as well. But generally speaking, lead vocal should be moderately loud or the loudest element next to your drums in your mix.
Should you compress or EQ first?
Each position, EQ pre (before) or EQ post (after) compression produces a distinctly different sound, a different tonal quality, and coloration. As a rule, using EQ in front of your compressor produces a warmer, rounder tone, while using EQ after your compressor produces a cleaner, clearer sound.
What is glottal in singing?
Glottal – A glottal onset, also known as a hard onset, occurs when the vocal folds are too closed. As a result, we hear the sound as pushed, forced, or hard. Students who sing with glottal onsets may complain of tightness in their throats. Here is an example of how a glottal onset may present on an “ee” vowel.