Question: How To Tell Compression Ratio For Vocals?

How many compressors do you need for vocals?

Combine two compressors and you’ll have plenty of possibilities for experimentation; play with the order of the compressors, with the threshold of each, with the compression ratios, with attack and release times, and with the balance between the two units; if there’s gain make-up on either (or both) compressor, you can

Should I use parallel compression on vocals?

Using parallel compression can be an effective way to give your vocals a professional edge but it’s a difficult technique to master. Use gates, EQ and de essers to remove content you don’t want to be harshly compressed.

How loud should vocals be in a mix?

Every vocal is different and every song is different as well. But generally speaking, lead vocal should be moderately loud or the loudest element next to your drums in your mix.

How do you heavily compress vocals?

This is how to compress vocals using a lighter, more musical approach:

  1. First of all, load up a compressor.
  2. Next, lower the threshold and raise the ratio to extreme settings.
  3. Start with a medium attack time around 15ms and adjust to taste.
  4. Dial in a medium release time of 40ms and adjust from there.
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What does too much compression sound like?

When you compress too hard with fast attack times, the dynamic range of your mix is squashed. You’ll end up with something that sounds like this: A song with no room to breathe; as flat as a pancake.

What is the ideal mixing level?

I recommend mixing at -23 dB LUFS, or having your peaks be between -18dB and -3dB. This will allow the mastering engineer the opportunity to process your song, without having to resort to turning it down.

What happens when you over-compressed vocals?

This means the very distinctives of the voice are brought closer to everything else. It also means when a vocal line is over-compressed, you lose the clarity and individuality of the vocal.

Do rappers double their vocals?

Rappers and singers have traditionally recorded vocal doubles (informally called “vocal dubs”) on the ending phrases every bar or half a bar..

Should you compress or EQ first?

Each position, EQ pre (before) or EQ post (after) compression produces a distinctly different sound, a different tonal quality, and coloration. As a rule, using EQ in front of your compressor produces a warmer, rounder tone, while using EQ after your compressor produces a cleaner, clearer sound.

What should you compress in a mix?

Learn how to use compression to tame transients, highlight transients, and create space in your mix. Compression is used to reduce the dynamic range of an audio signal. A compressor is like an automatic volume knob that turns down an audio signal’s level when it gets too loud.

Can I parallel compress everything?

In a parallel setup, the signal is often compressed much heavier than you normally would as an insert on the channel. As an insert, average compression would range from -3dB to around -10dB before smashing all dynamics. In a parallel setup, compression can range from -3dB all the way to -20dB and above.

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