Question: How To Process Vocals For 60s Sound?

How do you get a vintage vocal sound?

With this in mind, here are some of our best practices for achieving a great vintage-sounding vocal.

  1. Experiment with the room.
  2. Embrace early reflections with your microphone placement.
  3. Use a tube microphone (or an emulation)
  4. Add warmth to your vocals with the right pre-amplifier.
  5. Preserve some natural quirks.

How did they record vocals in the 60s?

In terms of the equipment used in the early ‘ 60s, two-track and later four-track tape recorders were considered the norm. In his own words, Martin adds – ‘ They were recording on Ampex 3-track half-inch tape; we were recording on mono quarter-inch, though our classical people were using stereo quarter-inch.

How do you get professional sounding vocals?

12 Tips for Professional-sounding Vocals

  1. 1 – Singing Is a Physical Activity.
  2. 2 – Choose the Right Mic.
  3. 3 – Choose the Right Condenser Mic Diaphragm Size.
  4. 4 – Study Mic Technique.
  5. 5 – Remove Noise.
  6. 6 – Do You Need the Lowest Frequencies?
  7. 7 – Reduce Breath Noises, Inhales, and Ess Sounds.
  8. 8 – Reduce Plosive Severity.
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How do you make your voice sound punchy?

A fast attack (5ms) will make your vocals sound thick and heavy. A slow attack (30ms) will make your vocals sound punchy and aggressive. Dial in a medium release time of 40ms and adjust from there. Try to get the compressor pumping in time with the music.

Did they have records in the 60s?

In other words, the ’60s produced some of the greatest records of all time, but beyond that, it’s the decade taught us what music could—and should—truly be.

What was music recorded on in the 60s?

At first many recordings were in mono – that is recorded to one track of tape. This was for bands, singers and orchestras, and you would therefore need as many microphones as necessary to accommodate the number of musicians, but this was not a simple sliding scale.

How was music played in the 60s?

In the early-1960s, rock and roll in its purest form was gradually overtaken by pop rock, beat, psychedelic rock, blues rock, and folk rock, which had grown in popularity. Furthermore, the 1960s saw funk and soul music rising in popularity; rhythm and blues in general remained popular.

Why do my vocals sound amatuer?

Another reason you may hear vocals sticking out so much is if they were recorded over a ‘beat’ or a pre-made composition. It’s hard to make room for/blend a vocal into an instrumental track that’s already been produced since you have a lot less control over individual instruments.

Why do my vocals sound bad?

If your vocals are recorded in a bad room, it’s extremely obvious by the end of the mix. The room that an instrument is recorded in always changes the tone. This is ESPECIALLY true for vocals. Room reflections can also cause compression and pitch correction to sound unnatural.

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How do you set EQ for vocals?

Best EQ Settings for Vocals

  1. Roll off the low-end starting around 90 Hz.
  2. Reduce the mud around 250 Hz.
  3. Add a high shelf around 9 kHz & a high roll off around 18 kHz.
  4. Add a presence boost around 5 kHz.
  5. Boost the core around 1 kHz to 2 kHz.
  6. Reduce sibilance around 5 kHz to 8 kHz.

How do you make lead vocals Fuller?

Once you apply these ten techniques, your mixes as a whole will improve.

  1. Top-End Boost.
  2. Use a De’Esser.
  3. Remove Resonances.
  4. Control the Dynamics with Automation.
  5. Catch the Peaks with a Limiter.
  6. Use Multiband Compression.
  7. Enhance the Highs with Saturation.
  8. Use Delays Instead of Reverb.

How do I make my voice Fuller?

Take a really deep breath and start humming for as long as you can while holding it. This will stretch your vocal cords — and stretched vocal cords always make a voice sound significantly deeper. After you’ve done that, take another deep breath but point your chin down toward your chest.

How loud should vocals be in a mix?

Every vocal is different and every song is different as well. But generally speaking, lead vocal should be moderately loud or the loudest element next to your drums in your mix.

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