Often asked: How To Set A Compressor For Vocals?

How much compression should I use on vocals?

A good starting point for a rock vocal would be a 4:1 ratio with a medium-fast attack and a medium release. Then, set the threshold for around 4 to 6dB of gain reduction. Increase or decrease the attack time until you get the right level of forwardness for the mix.

How do I set my live vocal compressor?

While listening to your entire mix (do not solo the vocal), pull down the threshold until the compressor starts compressing. Add makeup gain as needed so the vocal doesn’t drop in volume. Adjust the threshold, ratio, and makeup gain until you can hear every word of the performance clearly.

What does a compressor do to vocals?

Compression makes the volume of a vocal more consistent overall. In fact it was originally called “Automatic Level Control.” So if you’re singing or rapping some words louder than others, compression makes for a less drastic volume difference between the loud and quiet parts.

What is a good reverb setting for vocals?

Move the pre-delay to about 30-40% or so as a starting point and see how it sounds. With your EQ, maybe set the high-pass around 200Hz and the low-pass at about 12kHz. In a situation like this, you may want to have more body in the reverb.

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How do I compress vocals like a pro?

This is how to compress vocals using a lighter, more musical approach:

  1. First of all, load up a compressor.
  2. Next, lower the threshold and raise the ratio to extreme settings.
  3. Start with a medium attack time around 15ms and adjust to taste.
  4. Dial in a medium release time of 40ms and adjust from there.

Should you compress live vocals?

Live sound is largely correcting problems with subtractive EQ. Sure, it’s fun to roll off some of the top-end on your hall reverb, but don’t let that distract you from the things that actually need attention. Compression should be used sparingly. The lead vocals should be the center of your attention.

Do I need a compressor for vocals?

Even a normal speaking voice has an approximate dynamic range of over 70 decibels. For your vocal tracks to hold their space in your mix, you will likely need to compress them — and hopefully compress them without sacrificing nuance and expressiveness.

What is the best compressor for vocals?

The Best Vocal Compressors for Studio-Quality Audio

  • Avalon. VT-737SP. A go-to for professional pop, R&B, & rap studio recordings.
  • Warm Audio. WA76. This limiting amplifier is designed to affordably emulate the classic UA 1176, which is nearly impossible to find these days.
  • FMR Audio. Really Nice Compressor.

Should you compress or EQ first?

Each position, EQ pre (before) or EQ post (after) compression produces a distinctly different sound, a different tonal quality, and coloration. As a rule, using EQ in front of your compressor produces a warmer, rounder tone, while using EQ after your compressor produces a cleaner, clearer sound.

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Should I put a compressor on every track?

It’s necessary to add compressors on each track to change the dynamics of the tracks. Generally you should record and mix at appropriate levels so that you don’t need to do any peak reduction to prevent distortion. Compressors give us control over the dynamics of a track.

How does a compressor work audio?

Simply, a compressor is used to compress a sound’s dynamic range. That is, to make the louder and quieter parts of the sound’s performance closer to each other in level. It does this in one of two ways. In “downward compression,” the compressor attenuates the signal when it gets too loud.

What is a slow attack on a compressor?

Slow Attack Speed (10 to 100 milliseconds) With a slow attack speed, the compressor lets a bit of the initial signal through before it kicks in, which can be used to emphasize the impact of a signal, making it sound bigger and more aggressive. However, slow attack speeds are not ideal for controlling dynamics.

What is threshold on a compressor?

Threshold. The threshold control sets the level at which the compression effect is engaged. Only when a level passes above the threshold will it be compressed. If the threshold level is set at say -10 dB, only signal peaks that extend above that level will be compressed.

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