How To Make Stereo Vocals?

Can vocals be in stereo?

Therefore, if you are recording vocals and instruments in multiple locations, stereo captures the images of the sounds much better than mono. The ultimate goal of stereo recording is to create a lifelike sense of the audio signal. However, there is no need to record normal vocals in stereo.

How stereo should vocals be?

If you record one vocalist, your vocals should be mono. However, if you record two vocalists or more or if you record in a room with unique acoustics, the vocals should be stereo. Moreover, recording vocals in mono makes them sound powerful, clear, and upfront.

Should vocals be in mono or stereo?

Use the stereo field. The lead vocal should be in mono and central in the mix but the BVs can have as much width as you like. Keep it balanced, pan as many left as you do right.

Should vocals be louder than the beat?

How loud should vocals be compared to instrumental. Vocals, especially the lead vocal should be louder than musical elements but a tad bit behind the drum transients in my opinion. But if you have an instrumental that has already been mastered and hyper-compressed which is often the case.

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Are condenser mic stereo or mono?

Microphones convert sound waves to audio signals via mic capsules. Most mics have one capsule that outputs one signal, making them mono devices.

What dB should vocals be in a mix?

If you mix them too loudly, they will stick out. What dB should vocals be recorded at? You should record vocals at an average of -18dB for 24-bit resolution. The loudest parts of the recording should peak at -10dB and be lowest at -24dB.

How loud should I mix my vocals?

Here’s how loud your vocals should be in a mix: Your vocal level should be lower than the drums, but louder than the instrumentation. Vocal mixing to a professional level however, requires more nuanced decisions than that to get your vocals to sit right.

What is a good EQ setting for vocals?

Best EQ Settings for Vocals

  • Roll off the low-end starting around 90 Hz.
  • Reduce the mud around 250 Hz.
  • Add a high shelf around 9 kHz & a high roll off around 18 kHz.
  • Add a presence boost around 5 kHz.
  • Boost the core around 1 kHz to 2 kHz.
  • Reduce sibilance around 5 kHz to 8 kHz.

Where should vocals peak?

You should record vocals at an average of -18dB for 24-bit resolution. The loudest parts of the recording should peak at -10dB and be lowest at -24dB.

Should Kick be louder than snare?

The snare is the foundation of the backbeat, and typically one of the loudest elements in the mix. Next, bring the kick fader up until it sounds almost as loud as the snare. It should be loud enough that the low frequencies are rich and powerful, but not so loud that it masks the bottom-end of the snare drum.

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Where should vocals sit in a mix?

Tip #1 – Here’s a top notch trick to get your vocals to sit on top of the mix nicely. Send everything but the vocals to their own aux, and apply a very subtle compressor (only a few dB’s reduction). Side chain the lead vocals to this compressor. This will dip the track by a 2 or 3 dB’s every time the vocals come in.

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