- 1 Should you use two compressors on vocals?
- 2 What level should I mix vocals at?
- 3 How many compressors should I use on a vocal?
- 4 What is the best compressor for vocals?
- 5 Should Beat be louder than vocals?
- 6 Where should vocals sit in a mix?
- 7 What dB should your 808 be?
- 8 Should you compress or EQ first?
- 9 How do you set EQ for vocals?
- 10 How do you use multiple compressors?
- 11 How do you use a multiband compressor for vocals?
- 12 How do you master audio tracks?
Should you use two compressors on vocals?
There are actually a couple of ways to use multiple compressors when recording or mixing vocals. The idea is to use a faster compressor to control peaks and a slower compressor to more gently control the dynamics of the performance. Each will provide its own color, which gives you a wide palette of sonic possibilities.
What level should I mix vocals at?
You should record vocals at an average of -18dB for 24-bit resolution. The loudest parts of the recording should peak at -10dB and be lowest at -24dB. This is to keep an even balance on the level of the vocals without distortion.
How many compressors should I use on a vocal?
Instead of making one single compressor do all the heavy lifting, try two or more compressors throughout your plugin chain. Try starting with a slower compressor applying 2-3dB of gain reduction, with a ratio between 1:1 and 2:1.
What is the best compressor for vocals?
The Best Vocal Compressors for Studio-Quality Audio
- Avalon. VT-737SP. A go-to for professional pop, R&B, & rap studio recordings.
- Warm Audio. WA76. This limiting amplifier is designed to affordably emulate the classic UA 1176, which is nearly impossible to find these days.
- FMR Audio. Really Nice Compressor.
Should Beat be louder than vocals?
Should Vocals be Louder than the beat? No and Yes! Well it depends on the genre and style you are mixing or what the song calls for. What you don’t want is a vocal poking out like a sore thumb in your song.
Where should vocals sit in a mix?
Tip #1 – Here’s a top notch trick to get your vocals to sit on top of the mix nicely. Send everything but the vocals to their own aux, and apply a very subtle compressor (only a few dB’s reduction). Side chain the lead vocals to this compressor. This will dip the track by a 2 or 3 dB’s every time the vocals come in.
What dB should your 808 be?
Just make it loud in the context of the mix. Start with all your faders down. Bring up the 808 so it’s at a reasonable level in your DAW (probably somewhere around -18 dBFS ). Then, bring in all of the other instruments around it.
Should you compress or EQ first?
Each position, EQ pre (before) or EQ post (after) compression produces a distinctly different sound, a different tonal quality, and coloration. As a rule, using EQ in front of your compressor produces a warmer, rounder tone, while using EQ after your compressor produces a cleaner, clearer sound.
How do you set EQ for vocals?
Best EQ Settings for Vocals
- Roll off the low-end starting around 90 Hz.
- Reduce the mud around 250 Hz.
- Add a high shelf around 9 kHz & a high roll off around 18 kHz.
- Add a presence boost around 5 kHz.
- Boost the core around 1 kHz to 2 kHz.
- Reduce sibilance around 5 kHz to 8 kHz.
How do you use multiple compressors?
How to Use Multiple Compressors in Series
- Use a low threshold so that it only reacts to the peaks.
- Use a high ratio so that those peaks will be cut down effectively.
- Use a fast attack and release, so it reacts immediately to the peaks but resets just as quickly so it doesn’t affect the rest of the audio.
How do you use a multiband compressor for vocals?
Once you know the range, remove the EQ and load up a multiband compressor. Bypass all of the multiband ranges until you are only targeting the problematic frequency range. Apply 2-3dB of compression using similar settings to your main compressor, with one important exception—don’t apply any makeup gain.
How do you master audio tracks?
Here’s a summary of the steps you’ll need to take when you master your mix:
- Optimize your listening space.
- Finish your mix (to sound mastered).
- Check the levels.
- Bounce down your stereo track.
- Take a break (of at least a day).
- Create a new project and import your references.
- Listen for the first time (and take notes).