- 1 Should you use two compressors on vocals?
- 2 What does a compressor do on vocals?
- 3 Should you compress or EQ first?
- 4 How many compressors should I use on vocals?
- 5 What is a good EQ setting for vocals?
- 6 What is the best compressor for vocals?
- 7 What is a good reverb setting for vocals?
- 8 What goes first EQ or crossover?
- 9 Do you EQ every track?
- 10 Should I put a compressor on every track?
- 11 How loud should vocals be in a mix?
- 12 How can I make my voice sound thicker?
Should you use two compressors on vocals?
There are actually a couple of ways to use multiple compressors when recording or mixing vocals. The idea is to use a faster compressor to control peaks and a slower compressor to more gently control the dynamics of the performance. Each will provide its own color, which gives you a wide palette of sonic possibilities.
What does a compressor do on vocals?
Simply, a compressor is used to compress a sound’s dynamic range. That is, to make the louder and quieter parts of the sound’s performance closer to each other in level. It does this in one of two ways. In “downward compression,” the compressor attenuates the signal when it gets too loud.
Should you compress or EQ first?
Each position, EQ pre (before) or EQ post (after) compression produces a distinctly different sound, a different tonal quality, and coloration. As a rule, using EQ in front of your compressor produces a warmer, rounder tone, while using EQ after your compressor produces a cleaner, clearer sound.
How many compressors should I use on vocals?
A good starting point for a rock vocal would be a 4:1 ratio with a medium-fast attack and a medium release. Then, set the threshold for around 4 to 6dB of gain reduction. Increase or decrease the attack time until you get the right level of forwardness for the mix.
What is a good EQ setting for vocals?
Best EQ Settings for Vocals
- Roll off the low-end starting around 90 Hz.
- Reduce the mud around 250 Hz.
- Add a high shelf around 9 kHz & a high roll off around 18 kHz.
- Add a presence boost around 5 kHz.
- Boost the core around 1 kHz to 2 kHz.
- Reduce sibilance around 5 kHz to 8 kHz.
What is the best compressor for vocals?
The Best Vocal Compressors for Studio-Quality Audio
- Avalon. VT-737SP. A go-to for professional pop, R&B, & rap studio recordings.
- Warm Audio. WA76. This limiting amplifier is designed to affordably emulate the classic UA 1176, which is nearly impossible to find these days.
- FMR Audio. Really Nice Compressor.
What is a good reverb setting for vocals?
Move the pre-delay to about 30-40% or so as a starting point and see how it sounds. With your EQ, maybe set the high-pass around 200Hz and the low-pass at about 12kHz. In a situation like this, you may want to have more body in the reverb.
What goes first EQ or crossover?
EQs and other devices should always be in Line before the actual Crossover. Most DSP Units offer Input EQ which is essiantially that.
Do you EQ every track?
Traditional EQ is great for fixing problems that remain consistent throughout the entire track. But when you’re dealing with problems that change over time, it isn’t the best option. For issues like these, try multiband compression or dynamic EQ. These tools will often produce better results.
Should I put a compressor on every track?
It’s necessary to add compressors on each track to change the dynamics of the tracks. Generally you should record and mix at appropriate levels so that you don’t need to do any peak reduction to prevent distortion. Compressors give us control over the dynamics of a track.
How loud should vocals be in a mix?
Every vocal is different and every song is different as well. But generally speaking, lead vocal should be moderately loud or the loudest element next to your drums in your mix.
How can I make my voice sound thicker?
Once you apply these ten techniques, your mixes as a whole will improve.
- Top-End Boost.
- Use a De’Esser.
- Remove Resonances.
- Control the Dynamics with Automation.
- Catch the Peaks with a Limiter.
- Use Multiband Compression.
- Enhance the Highs with Saturation.
- Use Delays Instead of Reverb.